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Walter J. Phillips - From the Ambition category:
The student's ambition should be to become a painter's painter, rather than a popular painter. The approbation of fellow artists based on sympathy and understanding is manifestly better than the fickle or fast homage of the greater public. (Walter J. Phillips)
Walter J. Phillips - From the Amusement category:
The play of sunlight is amusement enough for a lazy man... (Walter J. Phillips)
Walter J. Phillips - From the Anticipation category:
When spring is here the sketcher begins to look over his equipment and relishes in anticipation the soothing hours he will spend in the open, warmed by the sun, fanned by the breeze, charmed by the manifold delights of nature. (Walter J. Phillips)
Walter J. Phillips - From the Appreciation category:
Appreciation is the breath of life to the creative artist, and in spite of modern conditions, there is enough abroad to sustain him. But his name is now legion; he competes with the dead as well as the living; and the rewards and honours seem attenuated by division. (Walter J. Phillips)
Walter J. Phillips - From the Appreciation category:
Universal appreciation of art... belongs to those countries and those ages which are not, or were not, ruled by materialism. Though travel was never so easy, literature on art never so profuse, and works of art never so widely distributed, a real passion for pictures is encountered but rarely. (Walter J. Phillips)
Walter J. Phillips - From the Art category:
The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste. (Walter J. Phillips)
Walter J. Phillips - From the Artists category:
The artist reserves the right to remove a blot on the landscape, to change positions of things, to suit his composition, providing only that he does not transgress the laws of probability. (Walter J. Phillips)
Walter J. Phillips - From the Beauty category:
Beauty may be perceived in any scene by one with sympathy and understanding. Beauty is in the mind. (Walter J. Phillips)
Walter J. Phillips - From the Choices category:
The character of the subject must influence the choice of the method of its representation. (Walter J. Phillips)
Walter J. Phillips - From the Collectors category:
The true artist and the sane collector never will tolerate insincerity and impudence. (Walter J. Phillips)
Walter J. Phillips - From the Colour category:
Colour is as variable and evanescent in the form of pigment as in visible nature. (Walter J. Phillips)
Walter J. Phillips - From the Colour category:
It is the sense of unfamiliar envelopment that is impressive, whether in the living grays of hoarfrost, the crimson of the heavens at sunset, or the golden suffusions of autumn. (Walter J. Phillips)
Walter J. Phillips - From the Colour category:
In painting, whether colour reflection is apparent or not, every hue must echo neighbouring hues, so that homogeneity may be attained. (Walter J. Phillips)
Walter J. Phillips - From the Complaining category:
It is the incompetent and the neglected artist who charges the public with ignorance, stupidity, and indifference. He raves loudly, but he is incomprehensible, even inarticulate, in his work. (Walter J. Phillips)
Walter J. Phillips - From the Composition category:
A landscape painting in which composition is ignored is like a line taken from a poem at random: it lacks context, and may or may not make sense. (Walter J. Phillips)
Walter J. Phillips - From the Composition category:
There must be a judicious arrangement of all the parts. Considered conversely, the artist's task is to fill his panel with a design that conforms to its shape and is beautiful in itself. (Walter J. Phillips)
Walter J. Phillips - From the Contrasts category:
Beauty, pleasure, and the good things of life are intensified, and perhaps only exist, by reason of contrast. (Walter J. Phillips)
Walter J. Phillips - From the Copying category:
Annoyance arises from the feared implication that we are copyists in subject or treatment, or both, whereas the common qualities that establish the relationship result merely from a similarity of method. (Walter J. Phillips)
Walter J. Phillips - From the Copying category:
Copying is an art in itself, demanding the greatest technical ability, especially in watercolour. However well done, the copy invariably lacks that nascent, ineffable, but definite quality, provided by the furious enthusiasm with which an original is created, an essential spontaneity that defies reproduction. (Walter J. Phillips)
Walter J. Phillips - From the Copying category:
There is the process of enlarging a watercolour, which actually amounts to copying its good points and improving its bad ones, and is interesting proportionately as the latter increase. (Walter J. Phillips)
Walter J. Phillips - From the Criticism category:
Let it not be assumed that the artist is so smug as to dislike true criticism. No sincere artist was ever completely satisfied with his labour. (Walter J. Phillips)
Walter J. Phillips - From the Critics category:
Submit your work to interested societies for exhibition where the critics in the light of their physical well-being and according to the extent of their knowledge, may appraise them conveniently. (Walter J. Phillips)
Walter J. Phillips - From the Critics category:
The public is the tribunal before which all art is judged – not the critics or the academies. The public is the artist's only patron, and has certain fundamental rights. It will submit to education, and will respond to suggestion, but it will not be bullied. (Walter J. Phillips)
Walter J. Phillips - From the Critics category:
The sincere artist is usually his own best critic, but continuous and prolonged work on one painting will sometimes dull his judgment... The critic is in demand, but he must be competent. (Walter J. Phillips)
Walter J. Phillips - From the Critics category:
Pseudo-critics prefer to direct their remarks to the artist – Heaven forgive them – but one due rather to a common impression that such an attitude is the correct one, that all paintings should be figuratively mutilated, and that all artists are fair game, or really grateful perhaps for a few tips. (Walter J. Phillips)
Walter J. Phillips - From the Design category:
Any subject is suitable provided it is of sufficient interest, but the design must be very carefully considered, and plenty of time and thought given to its construction. (Walter J. Phillips)
Walter J. Phillips - From the Difficulty category:
Difficulties will assail you only when you lack in concentration and persistence. (Walter J. Phillips)
Walter J. Phillips - From the Drawing category:
Drawing is the representation of form – the graphic expression of a visual experience. (Walter J. Phillips)
Walter J. Phillips - From the Emotion category:
A landscape painting is essentially emotional in origin. It exists as a record of an effect in nature whose splendour has moved a human heart, and according as it is well or ill done it moves the hearts of others. (Walter J. Phillips)
Walter J. Phillips - From the Enthusiasm category:
Many of the old masters of watercolour painted from notes, with enthusiasm either unabated or renewed. It is hard to assume the same degree of concentration in the studio, but not impossible. (Walter J. Phillips)
Walter J. Phillips - From the Exhibitions category:
It is often said that the modern exhibition has ruined painting. It is an unfortunate fact that it does encourage competition, so that, to attract attention to his work, an artist is tempted to descend to sensationalism, whether it is expressed by strong colour, grotesque handling, unusual subject, or sheer size. (Walter J. Phillips)
Walter J. Phillips - From the Expression category:
The beauties of conception are always superior to those of expression. (Walter J. Phillips)
Walter J. Phillips - From the Failure category:
Some drawings are better than others... Some are utterly spoiled... I keep them all. I find a use sometimes even for the worst drawing... But their chief use is to mortify one's conceit, to show how thoroughly incompetent it is possible to be, and to shame one into better ways. (Walter J. Phillips)
Walter J. Phillips - From the Finishing category:
While sincerity and over-anxiety can spoil a picture, through superfluous elaboration and unnecessary correction, the carelessness that would leave it in an unfinished state is even more reprehensible. (Walter J. Phillips)
Walter J. Phillips - From the Genius category:
The deserving are not always blest. That peculiar attribute known as personality is as potent a factor as genius. (Walter J. Phillips)
Walter J. Phillips - From the Gradation category:
In large studio paintings... composition, or arrangement, may be better studied, and nearer perfection, washes may be more suavely graded... (Walter J. Phillips)
Walter J. Phillips - From the Gradation category:
A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too. (Walter J. Phillips)
Walter J. Phillips - From the Harmony category:
In most natural scenes there is a prevailing colour, which the landscape painter must learn to identify, and which must prevail also in a slightly exaggerated form, in his painting, for the sake of truth, harmony and unity. (Walter J. Phillips)
Walter J. Phillips - From the Humanity category:
Since art exists for humanity it is not unreasonable to assume that humanity has some rights in the matter. Who pays the piper calls the tune. An artist cannot be at once a rebel and a comfortable citizen. (Walter J. Phillips)
Walter J. Phillips - From the Humility category:
Humility counts for much, but it may be that vanity does not dispossess that admirable quality. (Walter J. Phillips)
Walter J. Phillips - From the Imitation category:
A painter may be an abandoned mimic; at school he copies his teachers, which is only right, but he copies in turn every artist in town, which is not. He may do you that honour. (Walter J. Phillips)
Walter J. Phillips - From the Importance category:
The importance of colour is as nothing compared with that of form, chiaroscuro and arrangement. They are the true and enduring bases of pictorial art. (Walter J. Phillips)
Walter J. Phillips - From the Light category:
Luminosity is a quality dependent as much on technique as on the physical properties of individual pigments. (Walter J. Phillips)
Walter J. Phillips - From the Limitations category:
Artists are perennially implored to consider 'the limitations of the medium.' Whoever invented this expression exaggerated the limitations of the English language. We are not concerned with what effects cannot be produced with our materials. (Walter J. Phillips)
Walter J. Phillips - From the Manipulation category:
Some manipulation is nearly always needed – whether a trifling reduction of tone, or a superimposition of another wash of colour to strengthen the first. (Walter J. Phillips)
Walter J. Phillips - From the Masters category:
Haydon tried to force the heroic style upon unwilling patrons, and paid the penalty in poverty and neglect. The great majority of master-painters gave the public what it wanted, and were blessed in return with creature comfort. (Walter J. Phillips)
Walter J. Phillips - From the Masters category:
-on John Constable...
Sir George Beaumont... was a link with a remoter past, old enough to assume a didactic attitude towards Constable, whom he befriended. On one occasion he asked, 'Do you not find it difficult to determine where to place your brown tree?' 'Not in the least,' said Constable, 'for I never put such a thing into a picture.' (Walter J. Phillips)
Walter J. Phillips - From the Memory category:
-on Thomas Gainsborough...
To aid his memory, Gainsborough brought weeds, stumps, branches of trees, and various kinds of animals into his studio. He made a model landscape, and kept it on his table. A piece of rock served as a model for a mountain. (Walter J. Phillips)
Walter J. Phillips - From the Methodology category:
I don't like to think that I am a slave to technique, or so inept that I have to restrict myself to one method. (Walter J. Phillips)
Walter J. Phillips - From the Methodology category:
The most admirable method is that by which each wash of colour, large or small, is never disturbed. It admits of practically no overpainting, sponging or scrubbing. The colour stays where it is put. (Walter J. Phillips)
Walter J. Phillips - From the Mistakes category:
A mistake in drawing becomes difficult to detect when the eye is familiar with it. (Walter J. Phillips)
Walter J. Phillips - From the Movement category:
A horizontal or vertical line lacks energy, compared with one that deviates from either. The difference between these graphic expressions is the difference between movement and repose. (Walter J. Phillips)
Walter J. Phillips - From the Nature category:
The beauty and wonders of nature are as alluring as the pursuit of Art, and made of me a landscape painter. (Walter J. Phillips)
Walter J. Phillips - From the Nature category:
Water is the most expressive element in nature. It responds to every mood from tranquility to turbulence. (Walter J. Phillips)
Walter J. Phillips - From the Order category:
Do not think me fussy when I specify tidiness. It is essential... In printing, remember that cleanliness and order wait upon success. (Walter J. Phillips)
Walter J. Phillips - From the Perception category:
It is evident that no derivative laws can teach the young student to see and apprehend colour in nature. His perception needs development as urgently as his muscles. (Walter J. Phillips)
Walter J. Phillips - From the Perfection category:
Be content with nothing less than perfection. (Walter J. Phillips)
Walter J. Phillips - From the Perspective category:
Aerial perspective has nothing to do with line, but concerns tones and colours, by the delicate manipulation of which an artist can suggest infinite distance. (Walter J. Phillips)
Walter J. Phillips - From the Photography category:
Many cherish the idea that a photograph is an exact presentment of nature, and accept without question the paradox that a photograph cannot lie. Actually there never was a more unmitigated liar. (Walter J. Phillips)
Walter J. Phillips - From the Photography category:
It is not in the nature of lenses to tell the whole truth. They are instruments of exaggeration and belittlement. (Walter J. Phillips)
Walter J. Phillips - From the Photography category:
Not only does a lens distort forms, but the ordinary plate makes an unholy mess of colour in its tone relations. Yellow becomes black, and blue white. Black sunflowers against a white sky – what a travesty! (Walter J. Phillips)
Walter J. Phillips - From the Portraiture category:
The portrait painter... If he insults his sitters his occupation is gone. Whether he paints the should instead of the features, or the latter with all its natural blemishes, he is as presumptuous as if he shouted, 'What a face. Hide it.' which would never do, although it is analogous to what landscape painters are doing every day. (Walter J. Phillips)
Walter J. Phillips - From the Practice category:
Every successful painter has worked hard. He cannot rest after having gained a certain degree of facility in drawing, and expect to retain it. He must advance or fall behind. Without practice he will forget; his eye will fail him; and his hand will deny its master. (Walter J. Phillips)
Walter J. Phillips - From the Profession category:
Perhaps the ideal life is that of the week-end artist, who preserves the integrity of his own aesthetic ideals because of his economic independence... If his daily grind is hateful he has his weekly solace in art. (Walter J. Phillips)
Walter J. Phillips - From the Prosperity category:
Many a painter has lived in affluence, in high esteem, who lacked the divine spark, and who is utterly forgotten to-day. (Walter J. Phillips)
Walter J. Phillips - From the Questions category:
Is the artist impelled by spiritual forces, by the divine afflatus, by conscious or unconscious emulation of others? Do angles whisper in the ears of the chosen few, and create for them visions of aethereal beauty? Do landscape painters of genius walk the plains of Heaven? Or is it only vanity that urges him to paint? (Walter J. Phillips)
Walter J. Phillips - From the Realism category:
Realism is condemned by those artists whose poverty of technique does not permit them to express it. (Walter J. Phillips)
Walter J. Phillips - From the Rewards category:
The rewards of art are not always commensurate with its quality. It affords a precarious living. (Walter J. Phillips)
Walter J. Phillips - From the Rhythm category:
Rhythm is as necessary in a picture as pigment; it is as much a part of painting as of music. (Walter J. Phillips)
Walter J. Phillips - From the Rules category:
Many rules for the creation of colour schemes have been published in recent years, but, while they are popular in commercial studies, I know of no creative artist who employs them. They are, per se, restrictive; their use precludes any chance of adventuring in this interesting field. (Walter J. Phillips)
Walter J. Phillips - From the Sacrifice category:
However exquisite the contours or the colours of clouds, trees, rivers or hills, may be in themselves, they must be sacrificed if they do not conform with the general plan. (Walter J. Phillips)
Walter J. Phillips - From the Silence category:
-on nature sketching...
His silence and his comparative immobility, the result of complete absorption in his work, encourage all the wild things to show themselves. (Walter J. Phillips)
Walter J. Phillips - From the Simplicity category:
The painter who is so enamoured by the beauties of the parts of a landscape, that he strives to represent all, cannot succeed. His picture will be an arrangement of a series of portraits of things without unity... There must be variety and contrast, but in measured doses. (Walter J. Phillips)
Walter J. Phillips - From the Simplicity category:
The most interesting studio work, and perhaps the most practicable, is painting from pencil sketches and notes... It ensures the elimination of all facts but those essential to the effect. (Walter J. Phillips)
Walter J. Phillips - From the Style category:
Style is instinctive and few achieve it in a notable degree. Its development is not hastened by instruction. It comes or it doesn't. It will take care of itself. (Walter J. Phillips)
Walter J. Phillips - From the Style category:
While it is emotion that gives an impulse to the landscape painter, it is his style that inspires the critic's praise, and his subject that inveigles the untutored beholder. (Walter J. Phillips)
Walter J. Phillips - From the Subject category:
Subject has the variety of life. (Walter J. Phillips)
Walter J. Phillips - From the Technique category:
For an intelligent estimate of your technique go to another artist working in the same medium. (Walter J. Phillips)
Walter J. Phillips - From the Technique category:
When technique is obtrusive it becomes mere mannerism, a conscious striving for effect. It is only a means to an end – the manner of putting paint to paper. It hardly embraces the expressive side of painting. (Walter J. Phillips)
Walter J. Phillips - From the Texture category:
The impression of wood-grain... must be considered, not only as regards texture and visibility, but for the occasional possibility of the expression of form. A soft wood, with hard annulations, such as fir, prints very dearly. (Walter J. Phillips)
Walter J. Phillips - From the Tones category:
Etching will suggest subtle variations of tone, the most delicate shadings, all with black lines, which, as far as lines go, are unsurpassed for sheer beauty. (Walter J. Phillips)
Walter J. Phillips - From the Tradition category:
Tradition is a prop for social security. (Walter J. Phillips)
Walter J. Phillips - From the Vanity category:
Take away a painter's vanity, said a famous landscape painter, and he will never touch a pencil again. (Walter J. Phillips)
Walter J. Phillips - From the Watercolours category:
Watercolour painting is notoriously difficult - so much depends on directness and speed, and certainty of intention. Tentative or fumbling touches are disastrous, for they cannot be obliterated easily. (Walter J. Phillips)
Walter J. Phillips - From the Watercolours category:
It is remarkable how very individual technique becomes in watercolour. Every man of personality finally arrives at a method peculiarly his own, as unique as his own fingerprint. (Walter J. Phillips)
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